Friday, December 30: After exploring the indoor galleries at Philadelphia’s Magic Gardens, we take a walk around the outdoor installation.
In 1994, Isaiah Zagar started working on the vacant lots located near his studio at 1020 South Street, according to the museum’s pamphlet. He first constructed a massive fence to protect the area then spent years sculpting multi-layer walls out of found objects.
In 2002, the Boston-based owner of the lots discovered Zagar’s installation and decided to sell the land, calling for the work to be dismantled. Unwilling to allow the now-beloved neighborhood art environment to be destroyed, the community rushed to support the artist. After a two-year legal battle, his creation, newly titled Philadelphia’s Magic Gardens, became a non-profit organization intended to preserve the artwork, says the pamphlet.
Embedded in the walls of the outdoor installation are bottles, bicycle wheels, pottery shards, and folk sculptures.
We find a lot of names, phrases and sayings embedded in chains across the walled-canvas.
Some of the Magic Gardens’ values include inspiring others, creating community, championing originality, and embracing the creative process unbound by conventional norms.
The Gardens also interprets Isaiah Zagar’s art with a lighthearted, celebratory attitude. They believe in working hard while still maintaining levity and humor, according to the website.
I love the multi-armed painter who might bear a slight resemblance to Zagar.
Here, the artist is cradled by a three-headed woman.
PHILADELPHIA is spelled out along one passageway.
Philadelphia’s Magic Gardens is like a wilder version of Gaudi’s Park Güell in Barcelona, though it has no actual gardens. I highly recommend visiting here for a quirky afternoon.
After we finish our visit, it’s time for us to head back to Virginia. We decide to take a convoluted route home, passing through the Amish countryside of Lancaster County.